摘  要：晴雯虽“身为下贱”，却风流灵巧，心比天高，渴望自由与平等，是《红楼梦》的重要人物之一。婴宁天真烂漫，爽朗喜笑，富有人情味和人性美，是《聊斋志异》女性形象中美的代表。曹雪芹与蒲松龄所分别塑造的晴雯与婴宁这两个女性形象都是封建社会中具有女性解放意识的典型代表，本文就晴雯与婴宁的人物性格形象、人物悲剧及其成因，以及她们身上的女性解放意识的凸显所蕴含的深层社会意蕴进行分析，以期更加充分地理解晴雯与婴宁这两个人物形象。

关键词：晴雯；婴宁；女性意识；悲剧；社会意义

Abstract: Qing wen is base but she is romantic, dexterous and ambitous as well as eager for freedom and equality. She is one of the most of important characters in red mansions.Ying ning,a bright childlike and optimistic female, has human interest and the beauty of human Nature. She is the representative of beauty of female characters in strange stories from a chinese studio. The two female images of Qing wen and yingning are the two typical representatives of women that have awareness of liberalism in fedual society. This thesis will analyzes their character image, the tragedy and its causes, and the women's liberation ideology of them contained the highlight of the deep social significance, in order to more fully understand the two characters.

Key words: Qing-wen；Ying ning；the female consciousness；tragedy；social significance 

《红楼梦》中的晴雯与《聊斋志异》中的婴宁，是中国古代文学女子画廊中的两朵奇葩，年轻貌美，个性突出。生活在封建社会男权统治下的她们不甘被奴役，女性意识不断崛起。所谓的女性意识是指女性作为主体在客观世界中的地位、作用和价值的自觉意识，即包括人类共有的意识，也有唯独属于自己的意识。从人物描写来看，《红楼梦》与《聊斋志异》可以说都是以女性为中心的小说，而晴雯作为《红楼梦》中一个叛逆的女性形象最终失去性命，婴宁作为《聊斋志异》中独具个性的女性最终“不复笑”，她们的一生很好地诠释了女性意识解放的悲剧，而她们的悲剧更是蕴含了无尽的社会意蕴。